| -- End Ad Box ---> | | | | Una maravilla de Reconditat Armonia |
| Can you hear the silence? Luciano Pavarotti has been | | | | Vamos Luciano! Eres fuerte y te recuperaras de |
| forced to cancel his performances for rest of this | | | | tu endermedad. Ritorna vincitor! |
| year because of the removal of a malignant | | | | Oooooo
Goosebumps! |
| pancreatic mass. | | | | Caro Maestro Luciano sei stato Grande. |
| He has impressed his doctors with his physical and | | | | This man will always live in my heart. Such an |
| emotional resilience, and plans to resume in 2007. At | | | | amazingly beautiful instrument. |
| the age of 70, he has been singing for us for over 40 | | | | Mio Dio! |
| years. | | | | Pavarotto! Ecce il uomo. |
| The silence of the media has also been deafening. The | | | | The last vincero was god’s own |
| news has been spread mostly by word-of-mouth. Club | | | | voice. |
| Vivo Per Lei members email me daily — I | | | | Ay, Dios mio. |
| have just learned the news. | | | | Je veux morire. (I want to die) |
| Like the blogger who wrote, He has been the | | | | When he was in his prime, his voice was the most |
| soundtrack for much of my life, Pavarotti is so | | | | thrilling in the history of recorded sound. |
| much a part of my life, I knew almost nothing about | | | | Thank you, Pav! |
| him. He rarely grants interviews. Ah well, if one can | | | | The resilience? The attitude? When interviewed about |
| sing, why talk? | | | | his retirement by bbc in 2005, Jeremy Paxman kept |
| By all reports, he isn’t a complicated man. Italian | | | | pumping for something that simply isn’t there. |
| to the core, he appreciates food, women, song, family, | | | | Like what was the worst thing that had ever |
| home, and the place where he grew up. And his fans. | | | | happened to him during that time. Which |
| These are the things of which he speaks. | | | | time? Pavarotti asks. |
| I can tell you which aria the audience like, he | | | | The nightmares, Paxman wants to know about. |
| says. Nessun Dorma. | | | | It was a constant pleasure, Pavarotti replies. |
| I looked for his opinions about the grand themes of | | | | Even when things go wrong? asks Paxman? |
| opera — the agony and the ecstasy — | | | | Yes, so what replies Pavarotti. I am a very |
| but like his fellow Italian, Verdi, he seems to distill life to | | | | optimistic human being in one sense, yes, but I like the |
| its essence and keep it close to home. For me, | | | | truth. |
| music making is the most joyful activity possible, he | | | | The Italians, of course, are never too direct about |
| says, the most perfect expression of any | | | | things, that concept they call garbo. It means |
| emotion. (See more quotes here: ) | | | | polite, kind, kindness, or |
| This from a man whose voice can reach inside you, | | | | graciousness, but, a synecdoche in itself, in the |
| wring you inside out, and leave you weak and | | | | Venetian dialect it means curt, or abrupt. In |
| weeping, not knowing if its suffering or bliss; like life, the | | | | includes a heady fusion of fact and fiction, which may |
| licking of honey off a thorn. | | | | be a secret to resilience, and feeds the fantasy the |
| He speaks of his voice as something separate
his | | | | rest of the world has that Italians are somehow |
| instrument. | | | | enjoying more (and suffering more) than the rest of us. |
| You don’t need any brains to listen to | | | | And to this blend of realistic illusion, or fantasized reality, |
| music, he says. He has brought more people into | | | | you would say it can’t be that |
| the world of opera than anyone in history, except | | | | complicated, and an Italian would say, it |
| perhaps Verdi. As he so graciously puts it, I might | | | | isn’t that simple. |
| just have introduced some people to this music! | | | | Still after the goat, Paxman pursues, Some people |
| To read about opera, he says, is like making love by | | | | say you should have retired some time ago. |
| mail. I followed this prescription in my own learning | | | | Pavarotti replies, Well, some people are probably |
| process. Tossing aside the worthless college textbook | | | | right! |
| on opera a friend lent me, I bought CDs and attended | | | | Besides, we all know he won’t retire. It is hard |
| operas. | | | | for a young man in Italy, because the men work |
| Already familiar with Pavarotti, I’d been exploring | | | | forever. Pavarotti’s father was singing at 90, |
| lately -- Wunderlich, Caruso, Gedda, Bjorling; like most | | | | and Pavarotti plans the same. |
| women, I prefer the tenors. And then the news about | | | | Does he read music, Paxman wants to know. His |
| Pavarotti took me back home. My sister had emailed | | | | reply is incomprehensible, and truly why would we |
| me, That man has given me more hours of bliss | | | | care? He sings it. Who cares if he reads it? |
| than any person on earth. The King of High Cs. In | | | | The indefatigable Paxman tries one last time: But |
| La Fille du Regiment at the Met, in 1972, he sang 9 | | | | will you be glad to stop performing? |
| effortless high Cs, sending the audience wild. He also | | | | No, he replies. |
| holds the Guiness record for most curtain calls | | | | Will you miss it? |
| — 165. | | | | No. |
| To understand his success, writes his wife of 35 | | | | He then mentions the beautiful companies he |
| years, Adua, and what it is about his voice that | | | | has — family, friends, students, and adds, I |
| stops people in their tracks
we must go back | | | | am not missing it already. This was, of course, before |
| to his origins. | | | | the Farewell Tour of 2006. |
| Luciano Pavarotti was born in Modena, Italy, October | | | | It is just as typical that Pavarotti has expressed no |
| 12, 1935, an only child. His father, Fernando, sang tenor | | | | acrimony in response to his former manager’s |
| well until 2 weeks before his death, at 90, and Luciano | | | | book, THE KING & I.: The Uncensored Tale of Luciano |
| plans to do the same. Modena is in a region of Italy | | | | Pavarotti's Rise to Fame by His Manager, Friend and |
| that produces strong, broad-chested men such as can | | | | Sometime Adversary ( He in fact expresses is |
| sing opera, and Luciano’s extraverted and | | | | gratitude. |
| optimistic temperament made him well-suited for the | | | | I never got to see him at the Met, my sister |
| rigors of the operatic lifestyle. | | | | writes me. Well, I will take her to see Pavarotti at the |
| He was taken to his first opera at the age of 12, but | | | | Met, when he returns in 2007. I’m part Italian, you |
| his singing career began much earlier. At the age of | | | | know. I don’t know his schedule, or if he will be |
| 4, he says, I jump on the table. I am a little tenor. | | | | able to sing, or how well, but we will not go to hear him, |
| And I begin to sing, La Donna e Mobile. | | | | we will go to pay him homage, and to thank him for |
| One of the 25 most-recognized people in the world, he | | | | the memories. And if that concept remains a fantasy, |
| was the first opera star to really make use of the | | | | well you don’t need to be able to read music in |
| media. Almost his entire career is recorded. His concert | | | | order to sing. |
| in Central Park in June of ’93 was attended by | | | | In closing, I may have, unfaithfully, listened to other |
| 500,000, with millions more watching on TV. However, | | | | tenors, but Pavarotti was my Christmas for many |
| he says, Above all, I am an opera singer. This is | | | | years. An often exhausted working single mother, I |
| how people will remember me. | | | | would choose one special night. After I had put the |
| We know he has a voice the likes of which we will | | | | boys to bed, I would turn on the Christmas tree lights. |
| not hear again in our lifetimes, so what, really can the | | | | No dishes, no laundry that night. I would slip the |
| critics tell us? But with typical garbo, Pavarotti says, | | | | Christmas video into the VCR, climb into my recliner in |
| People have a right to criticize. If they boo me | | | | front of the big screen TV with slippers and hot toddy, |
| because I sing bad, they will do it. | | | | and the tears would start streaming down my face. |
| However, it is the voices of we the people that speak | | | | Grazie, mille, Luciano Pavarotti. Please get well soon. |
| what he has meant to us: | | | | |