Happy 150th Birthday, Victor Herbert!

On Sunday, February 1, we celebrate the 150thanother American musician who excelled in as many
birthday of one of America's most amazingdifferent aspects of the world known as "popular
composers. Bernstein? Copeland? Berlin? No, Victormusic."
Herbert. Who on earth was Victor Herbert?Even more importantly, Victor Herbert is as much a
Premier cellist; classical composer of string andpart of American Heritage as apple pie. For decades, if
orchestral music; conductor of 22nd Regiment Bandyou had a piano in your home, you had Mr. Herbert's
(Gilmore's Band); composer of 43 Broadwaysheet music on it, and if you didn't, you did your best to
operettas; 3rd conductor of the Pittsburgh Symphonyrush to catch his fine band on parade or his orchestra
Orchestra for 6 years, including their first concerts aton tour.
NYC's Carnegie Hall; composer of the 1911 AmericanThere are Herbert melodies galore that you would
Opera (Natoma); one of seven founders of ASCAP;recognize instantly including "Ah, Sweet Mystery of
composer of the first original American film score (FallLife," "March of the Toys," "I'm Falling In Love With
of A Nation, 1916); lead lobbyist and champion of theSomeone," "Toyland," "Italian Street Song," "Gypsy
1909 Copyright law; extraordinary orchestrator;Love Song," "Just A Kiss In The Dark," "Kiss Me
composer of popular song; composer of scared musicAgain," and "Indian Summer" - to name but a few.
for voice, chorus and orchestra; conductor of VictorA master of melody and orchestration (he did all his
Herbert Orchestra; first conductor to record for Edisonown - an almost unheard of skill in recent decades)
and then The Victor Recording Company; composerHerbert contributed to, if not laid, the very foundation of
for every Ziegfeld Follies from 1917 to 1924; aAmerican popular song. Cohen, Kern, Berlin, Rodgers -
household name in America from 1890s into 1950s; andall follow Herbert. After each of his Broadway
the first, and perhaps only, musician to win a libel suitoperettas, audiences always left the theater humming.
against a NYC critic.In fact, that saying was probably first pronounced in
The far more pressing question is, "How could wereference to Herbert.
ever forget?" As late as 1955, Edward N.Waters,By the time his career was cut short by his
Herbert biographer, assured his readers that, " . . .unexpected passing in May of 1924, he had amassed
America could never, would never forget." So what43 Broadway operettas; 3 operas; several film scores;
happened?massive orchestral and choral works, conducted both
Although born an Irishman and raised and educated inthe Pittsburgh Symphony and the Victor Herbert
Germany and Austria, America took Victor Herbert toOrchestra, become the first major orchestral recording
their hearts and claimed him for their own within sixartist, championed the rights of the composer and
months of his arrival on our shores to play cello in theestablished himself as a household name across the
Metropolitan Opera Company's orchestra.nation.
His young wife, Therese Förester, had been hiredSo what happened to this American wonder? Why
as one of the 1886-87 season's soprano leads and,don't we still perform these marvelous operettas if
quite simply, refused to sign her contract without athey were so good? The answer lies in America's
spot in the orchestra pit for her newly acquiredpenchant for weak librettos. Victor Herbert never
husband. He quickly became one of America's premierfound his John Gilbert (British librettist of Gilbert &
cellists from 1887 through 1905 when he gave upSullivan fame), but neither did the rest of America's
performing regularly.composers until Oscar Hammerstein, II teamed with
Herbert began composing long before he left Europecomposer Jerome Kern and both burst onto the
and continued to create works for the cello, stringscene with Show Boat in 1927.
quartets and orchestras soon after his arrival,Fortunately, there is a growing revival and appreciation
performing his own composition with the Symphonyof Mr. Herbert's music all across the country as more
Society of New York, Walter Damrosch conducting, inand more ensembles re-discover the most joyful
1887.musical giant America has ever produced. A quick
He began his conducting career in 1888 with his owninternet search will connect one with all sorts of new
orchestra, composed and premiered a major Concertomaterials, research and performances of this
for Cello and Orchestra, Op. 30 (the hearing of whichthoroughly American artist.
greatly influenced Dvorák's own famous celloYou can add to this revival if you have an orchestra in
concerto) in March of 1893, became conductor ofyour community. Simply ask them to program at least
Gilmore's Band in November of 1893, wrote his firstone Herbert song this year in honor of this 150th year
operetta in November of 1894, and he'd only justmilestone! Should you find yourself in the audience, you
begun.will find it difficult not to smile, hum, and tap your foot.
Everything Victor ever turned his hand to was aAmerica in 2009 is truly in great need of joyful,
masterful success. One would be hard pressed to findbeautiful music! Happy Birthday, Mr. Herbert!