A Life Of Lorenzo Da Ponte:Talent Flies; Practical Reason Walks

Among the world's favorite operas, we find three ofHe also considered himself adroit politically, but his
them with a libretto penned by Lorenzo Da Ponte andmoves were disastrous. He upset the successors of
music by none other than the astonishingly delightfulJoseph II so much he was exiled from Vienna.
Viennese ear-confectioner Mozart. The list is a delightNow,still technically a priest he was married to a
in itself: The Marriage of Figaro, Don Giovann, andyounger but more wisely practical woman named
Così Fan Tutte.Nancy Grahl, but even she was unable to keep the
We learn in the new book, The Librettist of Venice, byman out of bankruptcy in London and again in America,
Rodney Bolt, that Da Ponte grew so close with thewhere they moved in 1805, because her family had
unequalled Mozart - both of whom, we learn, were notsettled here.
only talented but vain, insecure and ambitious - thatHe attempted to establish Italian opera companies
while writing Don Giovanni, they worked in adjoiningwhen English-speaking audiences had little interest in
lodges and shouted to each other through theirthem. To add onions to opera, the grocery business
windows.failed.
Da Ponte even dared to contend with Mozart, whoHe finally became a teacher, bookseller and wannabe
believed the text should be subservient to the music,impresario.
while Da Ponte was certain that the words should beOn the positive side, New York turned out to be the
primary, in fact, that without his poetry even Mightymost agreeable spot for him. It was relatively liberal,
Mo's music would be nothing.and Da Ponte found himself a favorite of the cultural
Yet how Da Ponte tumbled from the heights. Hard aselite.
it may be to imagine, he wound up in New York,He became the first professor of Italian at Columbia
running, at one time, a grocery store on the Bowery.University. While the position was pretty much
Brilliant as an artist, he was apparently, in his personalceremonial, Da Ponte has the double distinction of
life, a managerial moron. Or, said another way, whilehaving been the first Jew and first priest on the
talent flies, practical reason just plods along, like aschool's faculty.
relative moron.He lived on into his 80's, revered but regarded as
Da Ponte, born Jewish, was, as a result of his father'seccentric.
having decided the family should become Catholic forHe was charming man who made a profession of
the easement of a life of trade, ordained a priest. Butbeing European when such a state was still
his real vocation was married women. His exploits, weconsidered novel.
learn, rivaled Casanova, who became his pal and, if weYet when one compares his everyday doings with his
believe such a thing is possible in the category at hand,winged collaboration with Mozart, one can only shake
his mentor.his head with the recognition of how quicksilver brilliant
Da Ponte himself admitted a shortcoming inthe remarkable syntheses of talent are, way up in
comparison with his rival for insincere relationships: hemental processes we can only hope will drop answers
didn't have Casanova's purported talent for fleecinginto our expectant consciousness, compared to the
the women he falsely wooed. In fact, Da Ponte claims"first we do this and then we do that" plodding of the
he actually loved the ones he made out with.practical but still invaluable mind.