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Web Review Of Victorian Canna Hybrids

Great progress began in 1870 in thebeloved Operatic titles with colorful
hybridizing of the canna lily by atropical leaves with stalks of glowing
combination of genetic materials from theflowers worked well. These Italian canna
wild canna species that had been collectedintroductions were planted and grown
from around the world, leading to thethroughout much of the European continent.
production of the 'Madame Crozy' cultivar. AThe Grand Opera Series of canna cultivars
great interest developed in canna lilies as awere tagged with names of the well known
colorful garden plant that previously hadoperatic performances of Aida, La Boheme, La
been grown chiefly for the fast growing,Traviata, Madam Butterfly, Rigolletto and Der
tropical foliage, since the wild canna bloomsRosenkavalier  (German.)
were mostly small and uninteresting. The
stockpile of collected, canna wild speciesThe German Canna hybridizer, Wilheim Pfitzer,
were again used to back-cross and interminglehad his own favorite canna names including,
with  the  celebrated  hybrid,  Madame Crozy.Stadt Fellbach. Most of Pfitzer named cannas
were given vivid and specific color names
The bright bazaar colors and the tropicalsuch as: Crimson Beauty, Primrose Yellow,
look was excitable and exotic for theSalmon Pink, and Chinese Coral. In addition
gardeners of the Victorian Age. Severalto adding clear colors of pastels, the
countries including Italy, Germany, France,Pfitzer canna grew into dwarf plants and
and England became actively involved in cannararely grew taller than 3ft. This dwarf
hybridization. Great efforts were made tofeature was very attractive for small
codify the canna lily as an inexpensive,metropolitan gardens, where space was
brilliantly flowered plant with the tropical,limited, and most of the Pfitzer canna
fast growing, garden choice to plantcultivars readily produced seed that might
everywhere, and as often happens, to thegrow into even better canna cultivars with
unstoppable  point of being brashly overdone.that personal touch for the backyard
gardener.
A few of the Victorian Era canna hybrids are
still grown today, despite the generalItalian interest in hybridizing canna lilies
opinion of most canna lovers, that theyextended even into the Italian Monarchy
should be buried with the past and forgottenreigns of King Emmanuel II and his son, King
except for the historical contribution thatHumbert. The Yellow King Humbert canna is
elevated the wild native hybridization cannabelieved to have been renamed by an English
combinations that created new directions forgardener  as  Richard  Wallace.
color and tropical leaf development to
explore.The noted French Hybridizer in 1870, Luther
Burbank, the famous American Botanist, noted
The naming of the Grand Opera Series of Cannain his book, Flowers, published in 1921 that
lilies, was, a flower hybridizer's colorfulthe Madame Crozy canna introduction laid the
idea of associating an Italian classicalfoundation for a canna hybrid industry to
musical treasure- The Opera—-with arapidly evolve, since the flowers were
group of hybrid flowers. These new cannacolorful and large and all existing flowers
hybrids, likewise, caused a sensation in theof known wild canna species had produced
garden lovers world, and the possibility ofsmall insignificant flowers. All interest in
the commercial production of canna rhizomesgrowing canna as a garden subject had
made it possible for gardening Italians topreviously come from an eclectic interest in
reasonably afford to plant the brightlythe exotic tropical leaves, not from the
colored tropical leaved plants in theirflowers.
yards. The brilliant idea of associating the



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