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How to Sing the Song of the Unsung Heroes on Your Team

This article is for you if you're aonly hear them, seated down below in the
behind-the-scenes kind of person - the adminorchestra pit as they are.Many elements go
assistant who gets the presentation ready fortogether to produce the opera we see that
the guys in marketing but doesn't get to gobears the name of one man only. Take
to the meeting; the PR pro who writes all"Turandot" for instance. It was librettist
their speeches and answers all the complaintSemoni who gave Puccini the suggestion for
letters for the president or CEO; the at-homethe opera in the first place, telling about
mother who makes sure the concert pianist"Turandotte," a play written by Gozzi, based
practices; the deputy chief whose jobon a fable from the Arabian Nights.Puccini
description is doing all the things the chiefhad been searching for two years for a
doesn't like to do or can't do; or thesuitable plot for an opera, and at the age of
paralegal who prepares all the pleadings,61 began "Turandot," instructing his
knows all the codes, and does all the lickinglibrettists, Adami and Semoni to "pour great
and stamping.Temistocle Solear, Antoniopathos into the drama." Puccini was known,
Ghislanzoni, Henri Meilhac, Jules Barbier,incidentally for being extremely demanding,
Michael Carre, Guiseppe Giacosa, Luigirequiring endless rewrites from his
Illica, Renato Semoni, and Nicola Haym alllibrettists.From his point of view however,
know what this is like.Who on earth are thesethe librettists were difficult. We can read
people??Well even if you're not an opera fan,his letters begging them to do their work.
I bet you've heard of the composers Verdi,He wrote frantically to Simoni, in charge of
Bizet, Mozart, Strauss, Gounod, Handel,Act III, "The third! The third! The
Donizetti and Puccini. And I'm sure you'vethird!"At one point, he confessed to a friend
heard of some of their operas - Aida, Carmen,"Music disgusts me...", as he evidently had
Cosi fan Tutte, Madame Butterfly, Faust, andperiods of self-doubt and composer's block.
Don Giovanni, for instance.Did you know thatToscanini paid him a visit and gave him the
these composers wrote the music for theirencouragement to keep going. Every team has
operas but not the lyrics? Solear,their Toscanini; or needs one.Puccini was
Ghislanzoni and the other individuals in thejustified in urging completion of the opera
list are what's called "librettists." It isas he died before the team had completed the
they who wrote the words to the music thatthird act. The collaboration continued on,
tell the story, without which you would beas Toscanini found a composer named Franco
listening to a symphony, not an opera. AndAlfano, whose name is rarely mentioned, to
we never hear their names!They're calledcomplete it. The world premier took place on
"librettists" because the words to the songs,April 25th, 1926, the work of one guiding
which basically comprise the script of thegenius and many hands, hearts and minds.It
opera, is called a "libretto." It's Italianisn't that teamwork and collaboration is new,
for little book.Like Gilbert and Sullivan,it's that it's newly being recognized. Most
the pairs worked together. The inimitableof us realize we couldn't accomplish anything
Richard Wagner was the only one to composealone, while those behind the scenes who work
all his operas entirely by himself, creatinglong and willing hours, long for some
both music and lyrics, which may account forrecognition. Appreciation, after all, is
why they are so powerful, so "Wagnerian."Thiswhat tops the surveys when employees talk
is quite a feat because composing music andabout what they want at their job, and it's
writing words require different parts of theso consistently there, it's a wonder it isn't
brain.Sometimes the composer and librettistheeded more.Richard Montuori, town manager of
met in person, while other times the work wasBellica, Massachusetts, knows and appreciates
done by correspondence. Strauss workedhis team. "I love [my] job," he said a
exclusively with one librettist, afternewspaper interview. "Every day is different
writing his own lyrics for his first operaand presents new challenges. Finances are a
and finding out he wasn't good at it, butdaily and yearly challenge, but no one person
most other composers switched around, findingever accomplishes anything alone. We have
the right librettist for the job, or one whoexcellent department heads and town boards
was available. It's not unlike the way a lotthat help keep the town moving in the right
of us work these days - long distance and bydirection."Isn't it nice to hear someone
contract.Again, grasp the significance of thepublicly acclaim the team that makes him
work these unsung heroes did. The words areshine? I hope your boss or manager does this
so integral to the opera they are neverfor you, and that if you're the boss or
translated. Subtitles run across the bigmanager, you appreciate and acknowledge - and
screen on stage, or the little screen on thesing - the unsung heroes in your midst.But
chair in front of yours at the opera. Wehow do you praise everyone? There are always
read them in our native tongue while they areso many.Here's a leadership trick I learned
sung on stage in the original German,from a pro. At the culmination of an
Italian, or French. (For aficionados,anniversary banquet, engineered by many, and
anyway. Beginners may enjoy translations,funded by many more, the director of the
such as The Chandos Opera In English series,benefited-agency rose and thanked "everyone
which translates the lyrics intowho helped make it possible to raise the
English.)What an incredible collaboration an$50,000." Then he added, looking around the
opera is. It takes costume designers asroom, "And I'd especially like to thank
well, because an opera is as much visual assomeone whose name I won't mention, but they
it is auditory. The Grand Opera is known forwill know who I mean."I thought it was me!
its elaborate sets and costumes. InSo did a dozen other people, I'm sure, and
"Turandot," when the mob turns surly and thethat was what the director had in mind, he
moon appears, she is personified and costumedtold me later when I asked him whom he had in
in a magnificence dominated the stage formind, because his glance around the room was
what seems like half an hour, that will keepprofessionally ambivalent.It works, and it's
you transfigured.One opera I hope to see onealways, always true.©Susan Dunn, MA, THE
day is Verdi's "Aida," excuse me, Verdi andEQ COACH. Offering coaching, Internet
Ghislanzoni's "Aida" at the Bath of Caracallacourses, and ebooks around emotional
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don't see at an opera is the orchestra,Mailto:sdunn@susandunn.cc for information
perhaps the most important element of all.about this fast, affordable, comprehensive,
They're listed in the program, of course, andno-residency program. Email for free ezine.
given their bows at the curtain calls, but we



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